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1 ¹Úµ¿Á¶, "ÅÚ·¹ºñÀü ±¤°í½Ãû¿¡ ¿µÇâÀ» ¹ÌÄ¡´Â ¿äÀο¡ °üÇÑ ¿¬±¸", ¿¬¼¼´ëÇб³ ¾ð·ÐÈ«º¸´ëÇпø, ¼®»çÇÐÀ§³í¹®, 1995, p.19.
2 Siva K. Balasubramanian, "Beyend Advertising and Publicity: Hybrid Message and Public Policy Issues", Journal Advertising Vol.23, No.4, 1994, pp.29-46.
3 °¼®º¸, "¿µÈ¼Ó Á¦Ç°¹èÄ¡ Product Placement ÀÇ ±¤°íÈ¿°ú ¿¬±¸", Áß¾Ó´ëÇб³ ´ëÇпø ½Å¹®Çаú, ¼®»çÇÐÀ§³í¹®, 1998, pp.10-11.
4 ¹æ¼Û½ÉÀDZÔÁ¤, Á¦ 3 Àå ¹æ¼Û¼ø¼±âÁØ, Á¦63Á¶ °£Á¢±¤°í µî ±ÝÁö
i. ¹æ¼ÛÀº ƯÁ¤»óǰÀ̳ª ±â¾÷ ,¿µ¾÷Àå¼Ò ¶Ç´Â °ø¿¬³»¿ë µî¿¡ °üÇÑ »çÇ×À» ±¸Ã¼ÀûÀ¸·Î ¼Ò°³Çϰųª ÀǵµÀûÀ¸·Î ºÎ°¢½ÃÄÑ ±¤°íÈ¿°ú¸¦ Á־ ¾Æ´Ï µÈ´Ù.
ii. ¹æ¼ÛÀº Á¤º¸ÀÇ Àü´ÞÀ» ¸ñÀûÀ¸·Î ƯÁ¤¾÷ü ¶Ç´Â ƯÁ¤»óǰÀ» ¼Ò°³ÇÒ ¶§¿¡´Â °æÀï¾÷ü³ª °æÀï»óǰ¿¡ ºÒÀÌÀÍÀ» ÁÖÁö ¾Êµµ·Ï ÇÏ¿©¾ß ÇÑ´Ù.
iii. ¹æ¼ÛÀº ½Å ¾÷Á¾ ¶Ç´Â ½Å»óǰ¿¡ °üÇÑ »ýȰÁ¤º¸¸¦ ¼Ò°³ ÇÒ ¶§´Â °ü·Ã¾÷ü¸¦ ÇÊ¿ä ÀÌ»óÀ¸·Î ºÎ°¢½ÃÄѼ´Â ¾ÈµÇ¸ç ,½Å ¾÷Á¾ ¶Ç´Â ½Å»óǰ¿¡ °üÇÑ ÀϹÝÀûÀÎ Á¤º¸¿¡ ÇÑÇÏ¿©¾ß ÇÑ´Ù.
iv. Áß°è¹æ¼ÛÀ» ÇÒ ¶§¿¡´Â ƯÁ¤¾÷ü³ª »óǰÀÇ ·Î°í ¶Ç´Â Çö¼ö¸· µî ±¤°íÈ¿°ú¸¦ ÁÖ´Â ³»¿ëÀ» ÀǵµÀûÀ¸·Î ¹Ýº¹ÇÏ¿© º¸¿©Á־ ¾Æ´Ï µÈ´Ù.
v. ¹æ¼ÛÀº ±¤°íÈ¿°ú°¡ ³¯ ¼ö ÀÖ´Â ±¤°í¹°À» ¹æ¼Û³»¿ë¿¡ »ç¿ëÇÏ¿©¼´Â ¾Æ´Ï µÇ¸ç, ƯÁ¤»óǰÀÇ »ó¾÷±¤°í¹® ¶Ç´Â ±¤°í³ë·¡¸¦ ¿¬»ó½ÃŰ´Â Ç¥ÇöÀ» ÇÏ¿©¼µµ ¾Æ´Ï µÈ´Ù.
5 ÀϺ»´É·üÇùȸ Àú, ±èÈï±Ô ¿ª, ¡¸±¤°í È¿°úÀÇ ÃøÁ¤¡¹ ¼¿ï : ³ª³²ÃâÆÇ»ç, 1990, p.264.
6 ¡¸Áß¾ÓÀϺ¸¡¹, 1995³â 3¿ù 28ÀÏÀÚ.
7 ¡¸Àϰ£½ºÆ÷Ã÷¡¹, 1999³â 12¿ù 17ÀÏÀÚ.
8 ¡¸Áß¾ÓÀϺ¸¡¹, 1998³â 9¿ù 9ÀÏÀÚ.
9 ¡¸½ºÆ÷Ã÷Á¶¼±¡¹, 1999³â 9¿ù 29ÀÏÀÚ.
10 ¡¸Á¶¼±ÀϺ¸¡¹, 1998³â 6¿ù 23ÀÏÀÚ.
11 ¡¸Áß¾ÓÀϺ¸¡¹, 1997³â 6¿ù 28ÀÏÀÚ.
12 Àú½ºÆ¾ ·çÀ̽º Àú, ÇÏÁ¾¿ø, ±è´ëÈ£ ¿ª, ¡¸ÅÚ·¹ºñÀüÀÇ ÀÌÇØ-Á¦µµ, ÅØ½ºÆ® ±×¸®°í ¼ö¿ëÀÚ¡¹ ¼¿ï : ³ª³²ÃâÆÇ»ç, 1998, p.209.
13 ¹è°æÀ±, "TV µå¶ó¸¶¿¡ ´ëÇÑ ¼ö¿ëÀÚÀÇ ¿µÇâ¿¡ °üÇÑ ¿¬±¸", ¼º±Õ°ü´ëÇб³ ¾ð·ÐÁ¤º¸´ëÇпø, ¼®»çÇÐÀ§³í¹®, 1996, pp.3-20.
14 Pamela Brooke, Communicating Through Story Characters, Lanhan, MD: University Press of America, 1995, pp.25-27.
15 Çѱ¹¹æ¼Û°³¹ß¿ø, ¡¸ÅÚ·¹ºñÀü ¼ö¿ë ÇàÅÂ¿Í ¹Ì·¡ Çѱ¹¹æ¼Û¿¡ ´ëÇÑ ½ÃûÀÚ ÀǽÄÁ¶»ç¡¹¼¿ï: Çѱ¹ ¹æ¼Û°³¹ß¿ø, 1994, pp.15-100.
16 ¹Ú³Èñ, "¹æ¼ÛÀÇ °£Á¢±¤°í", ¡¸¹æ¼Û°ú ½ÃûÀÚ¡¹, 97³â 7¿ùÈ£, pp.46-47.
17 John Deighton, Daniel Romer and Josh McQueen, "Using Drama to Persuade", Journal of Consumer Research, Vol.16, December, 1989, p.335.
18 ±èÁØ¿À, "TV Ä¿¸Ó¼È¿¡¼ Á¦Ç°°ü¿©µµ¿Í Á¤¼È帧ÀÇ ±¤°íÈ¿°ú", Áß¾Ó´ëÇб³ ½Å¹®¹æ¼Û´ëÇпø, ¼®»çÇÐÀ§³í¹®, 1996, pp.11-22.
19 ÀϺ»´É·üÇùȸ Àú, ±èÈï±Ô ¿ª, op. cit., pp.257-259.
20 ¸®´ë·æ, °¼®º¸, "ÃËÁø¼ö´ÜÀ¸·Î¼ÀÇ Á¦Ç°¹èÄ¡: ºñÆÇÀû ¸®ºä", ¡¸±¤°íÈ«º¸¿¬±¸¡¹, 99³â 2È£, p.9.
21 James A, Karrh, "Brand Placement; A Review", Journal of Current Issues and Research in Advertising, Vol.20, No.2, Fall, 1998, pp.31-49.
22 Sidney J. Levy, "Symbols For Sale", Harvard Business Review, Vol.37, No.4, 1959, pp.119-120.
23 ±èÈ£¼®, ¡¸½ºÅ¸ ½Ã½ºÅÛ¡¹¼¿ï: »ïÀÎÃâÆÇ»ç, 1996, p.32.
24 ÁøÇö½Â, "´ëÁ߸Åü»ê¾÷ÀÇ ½ºÅ¸½Ã½ºÅÛ¿¡ °üÇÑ ¿¬±¸", ¼°´ëÇб³ ´ëÇпø ½Å¹®¹æ¼ÛÇаú, ¼®»çÇÐÀ§³í¹®, 1992, pp.2-7.
25 ¼»ó¿ø, "»õ·Î¿î ¸¶ÄÉÆÃ Ä¿¹Â´ÏÄÉÀÌ¼Ç ¼ö´ÜÀÇ PPL", ¡¸Á¦ÀÏÄ¿¹Â´ÏÄÉÀ̼ÇÁ¼¿ï: Á¦Àϱâȹ, 1996, p.18.
26 °¼®º¸, op. cit., pp.1-3.
27 ³²±ââ, "¿µÈ¼Ó Á¦Ç°¹èÄ¡¿¡ ´ëÇÑ °ü·Ã»ê¾÷, ¼ö¿ëÀÚ, °ø°øÁ¤Ã¥±â°üÀÇ Åµµ¿¬±¸", Áß¾Ó´ëÇб³ ½Å¹®¹æ¼Û´ëÇпø, ¼®»çÇÐÀ§³í¹®, 1998, pp.37-42.
28 Israel D. Nebenzahl and Eugene Secunda, "Consumers Attitudes Toward Product Placement in Movies", International Journal of Advertising, Vol.12, No.1, 1993, pp.1-11.
29 Fola B. Gupta and Stephen J. Gould, "Consumers Perception of the Ethics and Acceptability
of Product Placements in Movie : Product Category and Individual Differences", Journal of Current Issues and Research in Advertising, Vol.14, Spring, 1997, pp.37-50.
30 ³²±ââ, op. cit., pp.43-50.
31 ¹®¿µ¹Ì, "Marketing Public Relations È¿°ú¿¡ ´ëÇÑ ¿¬±¸", ¼°´ëÇб³ ¾ð·Ð´ëÇпø ±¤°íÈ«º¸Çаú, ¼®»çÇÐÀ§³í¹®, 1995, pp.49-60.
32 ³²±ââ, op. cit., pp.33-37.
33 James A. Karrh, "Brand Placement in Feature Films : The Practitioners View", Charles S. Madden ed, The Proceedings of the 1995 Conference of the American Academy of Advertising, Waco, TX: Hankamer School of Business, Baylor University, 1995, pp.182-188.
34 ¹®¿µ¹Ì, op. cit., pp.49-60.
35 °¼®º¸, op. cit., pp.38-39.
36 James A. Karrh, op. cit.
37 ¹®¿µ¹Ì, op. cit., pp.50-72.
38 °¼®º¸, op. cit., p.39.
39 ±¸¿µÈ£, "¿µÈ¸¦ ÀÌ¿ëÇÑ ÃËÁøÀü·«¿¡ ´ëÇÑ ¿¬±¸, ¼¿ï´ëÇб³ ´ëÇпø °æ¿µÇаú, ¼®»çÇÐÀ§³í¹® , 1994, pp.65-71.
40 ±¸¿µÈ£, Ibid., p.86.
41 Degen Pener, "Sneaky Business", Entertainment Weekly, January 24, 1997, pp.16-17.
42 Siva K. Balasubramanian, op. cit.
43 Steven L. Snyder, "Movies and Product Placement : Is Hollywood Turning Films into Commercial Speech?", University of Illinois Law Review, 1992, pp.301-307.
44 ¸®Â÷µå ´ÙÀÌÀú Àú, ÁÖÀº¿ì ¿ª, ¡¸½ºÅ¸-À̹ÌÁö¿Í ±âÈ£¡¹¼¿ï: Çѳª·¡, 1995, pp.46-50.
45 Steven L. Snyder, op. cit.
46 William Benjamin Lackey, "Can Lois Lane Smoke Marlboros? An Examination of the Constitutionality of Regulation Product Placement in Movies", The University of Chicago Legal Forum, 1993, p.285.
47 Israel D. Nebenzahl and Eugene Secunda, op. cit.
48 Á¶¼±ÀϺ¸, 1996³â 7¿ù 24ÀÏÀÚ.
49 ¡¸¹®ÈÀϺ¸¡¹, 1998³â 1¿ù 17ÀÏÀÚ.
50 ¡¸¹®ÈÀϺ¸¡¹, 1998³â 3¿ù 23ÀÏÀÚ.
51 °¼®º¸ , op. cit., pp.4-5.
52 ¡¸Áß¾ÓÀϺ¸¡¹, 1996³â 4¿ù 1ÀÏÀÚ.
53 Mark Crispin Miller, "End of Story", in Mark Crispin Miller ed., Seeing Through Movie, New York: Pantheon Books, 1990, pp.186-246.
54 ¾öÈ£Çö, ¡¸±¹°¡ °æÁ¦À§±â¿Í ÅÚ·¹ºñÀü ÇÁ·Î±×·¥¡¹¼¿ï: Çѱ¹¹æ¼Û°³¹ß¿ø, 1998, p.40.
55 ¡¸GV2 »óǰ±âȹ¼¡¹, 1996³â º½, ¿©¸§È£ ÂüÁ¶.
56 ¡¸º£ÀÌÁ÷ »óǰ±âȹ¼¡¹, 1996³â º½, ¿©¸§È£ ÂüÁ¶
57 ÀϺ»´É·üÇùȸ Àú, ±èÈï±Ô ¿ª, op. cit. p.249.
58 ¸·½º ¼´õ·£µå Àú, À±¼±±æ, ±è¿Ï¼® °ø¿ª, ¡¸±¤°í¸¦ ¿òÁ÷ÀÌ´Â ¼ÒºñÀÚ ½É¸®¡¹¼¿ï: °æ¹®»ç, 1995, pp.112-114.