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7 »çÀ̹ö½ºÆäÀ̽º Cyberspace ¶ó´Â ´Ü¾î´Â 1984³â¿¡ Àª¸®¾ö ±é½¼ William Gibson ÀÇ °ø»ó°úÇÐ ¼Ò¼³ÀÎ "Neuromancer" ¿¡¼ óÀ½À¸·Î ¸¸µé¾îÁ® »ç¿ëµÇ¾ú´Ù .ÀÌ¿¡ ´ëÇØ¼ ¸¶ÀÌŬ µµÇãÆ¼ Michael Doherty ´Â ¸¶¼£ ¸Æ·çÇѰú Àª¸®¾ö ±é½¼ÀÌ »çÀ̹ö½ºÆäÀ̽º¿¡¼ ¸¸³µ´Ù°í ¼³¸íÇÏ¸é¼ cyberspace ¶ó´Â ´Ü¾î°¡ Áö´Ï´Â Àǹ̸¦ Ä¿¹Â´ÏÄÉÀ̼ǿµ¿ªÀ¸·Î Æø³Ð°Ô È®ÀåÇÏ¿´´Ù. Michael Doherty, "Marshall McLuhan Meets William Gibson in Cyberspace", CMC
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10 Á¤ÀαÙ, IMF Áö¿øÃ¼Á¦ÇÏ¿¡¼ÀÇ EC °ü·Ã Intermediary »ê¾÷ÀÌ ±¹°¡ °æÁ¦¿¡ ¹ÌÄ¡´Â ¿µÇâ¿¡
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11 Â÷¹è±Ù, »çȸ°úÇÐÁ¶»ç¹æ¹ý·Ð ¼¿ï: ³ª³², 1995, p.212.
12 »çȸ°£Á¢ÀÚº»À̶õ Social Overhead Capital ÀÇ ¾àÀڷμ µµ·Î, Ç׸¸, °øÇ×, ´ï µî ƯÁ¤ÀÎÀ» À§ÇÑ °ÍÀÌ ¾Æ´Ï°í »çȸÀüü¿Í ±¹¹Î°æÁ¦ Àüü¸¦ À§ÇÑ ½Ã½ºÅÛµéÀÇ ÃÑĪÀÌ´Ù. °ø°ø ¼±À» Ãß±¸Çϰí ÀÌÀÍÀ» À§ÇÑ °ÍÀ¸·Î½á »ç¾÷ÀÇ ±Ô¸ð¿Í ºñ¿ë, ¼öÀͼº µî¿¡ µû¶ó¼ ¿µ¸®Áý´ÜÀÌ ¸Ã¾Æ¼ ó¸®Çϱ⠾î·Á¿î »ç¾÷À¸·Î¼ ±¹°¡Á¤ºÎ³ª °ø°ø±â°üÀÌ »ç¾÷À» ¼öÇàÇÏ´Â °ÍÀÌ ÀϹÝÀûÀÌ´Ù.
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·Î ´ë¸®Àû, ¼öµ¿Àû »óÅÂÀÇ Àΰ£¼ºÀÌ °¡Ä¡°üÀÇ È¥µ·À» ÀÏÀ¸ÄÑ ±× °á°ú Áö¼ÓÀûÀÌ°í ´Éµ¿ÀûÀÎ
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